• 2022: ‘Chinese Music in Australia’, Cambridge Companion to Music in Australia, Cambridge University Press—in review (co-authored with Dr Catherine Ingram and Dr Lulu Liu)
• 2021: ‘Liturgical Latin in Lewisham: Old Rite music as a means of transcultural religious identification’. Georgia Curran and Mahesh Radhakrishnan (eds.) Asia Pacific Journal of Anthropology. Taylor and Francis—in progress
• 2021: ‘A genre in decline? Teochew opera in Western Sydney’. Georgia Curran and Mahesh Radhakrishnan (eds.) Asia Pacific Journal of Anthropology. Taylor and Francis.
• 2021: ‘Falling leaves, new roots: An exploration of the Sydney Conservatorium of Music’s Chinese Music Ensemble’, in A Reid & N Costa de Peres (eds.), Creative Research in Music: Informed Practice, Innovation and Transcendence. Routledge (https://researchdirect.westernsydney.edu.au/islandora/object/uws:52337/)
• 2020. ‘Fallen leaves, new roots’. In Yu Hui and John Robison (eds.) Asian Musicology.
• 2018. 'The economy of amalgamation'. Pending
• 2016. ‘Falling leaves and new roots: An exploration of the Sydney Conservatorium of Music’s Chinese Music Ensemble’. Presented at Shifts and Turns: Moving Music, Musicians and Ideas. The University of Adelaide: Musicological Society of Australia 39th National Conference. 
• 2013. ‘Cultural Sustainability and Loss in Sydney’s Chinese’. In Stephen Wild, Di Roy, Aaron Corn and Ruth Lee Martin (eds.) Humanities Research 12 (3): 111-124.
• 2013. Encounters: Musical meetings between Australia and China. Brisbane: Australian Academic Press.
• 2011. ‘Foreign spaces, hybrid places’. In Olivia Khoo (ed.) Contiuum: Journal of Media and Cultural Studies 25(4): 529-546.
• 2011. ‘I love the starry-sky at night-time: singing and signing in the Buddha’s Light International Association, Sydney’. In Ian Russell and Frances Wilkins (eds.) Musiké: Sacred Singing and Musical Spirituality 5/6: 19-54. Rome-The Hague: Semar.